Disconcertingly out of sync, perceptions jumbled, receptors misfiring, I remain immediately near but never fully within the self I’d always known, receiving on an unfamiliar, piercing wavelength.
Slowly, slowly, I have come to understand-Me, ‘The Skeptic’s Kaddish’ #47, June 23, 2019
this: My pulse has been attuned to loss.
I thought of my above words (which I wrote towards the end of my year of mourning for Papa) just recently because I’d noticed an unexpected degree of darkness and morbidity increasingly manifesting itself through my Twitter poetry.
Inspired by Ingrid, a fellow poet-blogger, I created this Twitter account and began writing daily Twitter poems at the turn of the year. At first, it seemed a light, creative exercise for me – a way to get my juices flowing. Now, having written more than two weeks of Twitter poems, I am glad I took the challenge – for reasons unforeseen.
Obviously, Twitter poetry is short. From a technical perspective, this requires that poets consider every word; every syllable; every letter. I knew this, and I do, expectedly, savor the difficulty of producing snippets of lines and verses that resonate. It’s not so easy, and it’s often frustrating to have my poetry limited by length, but it’s been very, very rewarding.
However, as I mentioned, there is something much deeper that I’ve been noticing. The terseness of these poems is actually – liberating. You see, this medium encourages me to spit out ideas without expounding upon them, very much unlike this blog post, in which I want to explore a new idea of mine with you in some depth. Twitter’s restrictions, I am finding, have been freeing me – from myself.
Unlike some other mourners that I’ve known, I would not say that something died in me when Papa passed away. Rather, I would say that something new took root – something was born within me that day – an unrelenting and unsparing dreadful little homunculus. Ever since, this somber fellow has colored all of my thoughts in shades of death, but whenever I have attempted to express these morbid thoughts in verse or prose my mind has quickly taken over from the gloomy creature in an attempt to beautify, contextualize, or rationalize them…
But Twitter won’t allow this
Twitter simply doesn’t permit my mind the space it needs to blunt the heartache caused me by the homunculus. The creature eagerly spits out its ceaseless death and fatalism, and, finding purchase in the Twitterverse, its words sit there, raw and unanswerable.
Now, I am not, by any stretch of the imagination, an unhappy person; I am blessed in many, many ways, and I love being alive. Still, my perception of the world ever since Papa died bears a deep, flapping, shadowy gash, which the homunculus of death is constantly drawn towards. It simply won’t let me ignore the wound. The gash cannot be unseen, and the homunculus will not be subdued.
And… so… it seems a healthy thing to me to allow my homunculus free rein over my Twitter account, whenever it so desires. I cannot deny the horrid little beast’s existence, nor should I, for it is a part of me.
Perhaps, by reading its Twitter poetry, I will be better able to understand its mind – and my own.