My blogger-poet-friend Ingrid inspired me to create a Twitter account and start writing #APoemADay, which I began on January 1, 2021. Since beginning this daily challenge, I have been scheduling my Saturday poems on Twitter because I don’t blog on Shabbas.
It’s odd, then, that it was only today that it suddenly struck me that I could also post poems on WordPress in the same manner. And so – even as I’ll be offline for 25 hours, I will be scheduling two poems to be posted here at ‘The Skeptic’s Kaddish’ – on Saturday at 2:00 AM and 2:00 PM [GMT+2:00]. I do hope you enjoy them!
Below is my 10th week of Twitter poems:
Shabbat Shalom from Jerusalem,
Sitting on hard chair I hear
turbulent loud wind;
nothing for it, but to heed
tough forceful pounding;
Tapping upon keys,
imagination now thin;
versing? Such folly.
The Seguidilla began as a popular dance song of Spain. The verse form was established and branched into variations by the 17th century. It has an alternating long short rhythm. The Seguidilla is:
- stanzaic, written in any number of 2 part septets. (7 lines);
- syllabic, 7-5-7-5 : 5-7-5 per line. There is a slight pause between L4 and L5 suggesting L4 should be end-stopped;
- rhymed by assonance xAxABxB or xAxABAB. x being unrhymed. True rhyme is generally not used;
- composed with a volta or change in thought between L4 and L5;
- sometimes serves as a conclusion for another verse.